We Play Well Together is proud to have been presented in a virtual booth at the NAMM Show 2021 "Believe in Music" Week in January!
We've been attending NAMM in Los Angeles every year for the past few conferences. Due to the ongoing pandemic, The 2021 NAMM Show was all online. Our team got to work building a virtual exhibitor booth and we put together a ton of great video content highlighting our instrument makers and latest products! We'll be highlighting these videos in blog posts and newsletters to our We Play Well Together community in the weeks and months ahead.
Brandon Blake, a multifaceted individual juggling roles as a preschool teacher, brain injury support group leader, musician, animal rights activist, and volunteer, shares his daily life and his profound connection with the Kalimba Sansula in an interview with Annalena Horl for Hokema, Germany. His routine begins with caring for his cats, followed by preparing breakfast and spending eight hours at school focusing on the social and emotional development of young children. Post-work, he finds solace and creativity in playing the Sansula or bass, highlighting his commitment to self-care and artistic expression.
Brandon’s job satisfaction stems from nurturing positive behaviors like kindness, empathy, and respect among preschool children, aiming to cultivate a future generation free of xenophobia, racism, and aggression. He was drawn to the Sansula as a means to disconnect from the digital world and engage in a more tactile, musical form of expression. Since discovering the Sansula in 2015, it has become an integral part of his life, offering him solace, therapeutic benefits, and a medium for musical creativity.
He utilizes the Sansula across various aspects of his life, from calming preschool children and entertaining nursing home residents to providing healing in brain injury communities. Brandon praises the Sansula for its ease of use, therapeutic potential, and adaptability, including his innovative use of magnets to alter its notes for performance flexibility. He regards the Sansula as a serious musical instrument, validated by his performances with renowned musicians like Victor Wooten, where his unique playing techniques were celebrated.
Brandon’s favorite Hokema instrument is the Sansula Renaissance for its durability and sound quality, making it suitable for both young children and therapeutic applications. His journey with the Sansula began after a life-altering accident that left him with severe injuries and a traumatic brain injury, from which he has been recovering with resilience and positivity. Now leading a group for young patients with brain injuries, Brandon views every moment as "bonus time," a second chance at life enriched by his experiences, relationships, and music.
Christine Stevens, renowned music therapist, author, and speaker, shares her journey from believing she had no rhythm to embracing drumming as a transformative medium. Introduced to drum circles, Stevens found her calling, blending magic, fun, and healing through rhythmic expression. She encountered the Hokema Sansula at a music therapy conference, immediately recognizing its calming and mystical qualities. Stevens utilizes the Sansula in diverse healing drum groups, ranging from seniors to cancer patients, highlighting its serene impact.
Holding master's degrees in social work and music therapy, Stevens has facilitated drum circles globally, appearing on major TV networks and contributing to significant projects and publications. She emphasizes the drum's healing power, extending her expertise to include the flute as a medium for peace and personal transformation in her latest course on the Shift Network. Through her work, Stevens demonstrates the profound effect of rhythmic and musical expression on healing and mindfulness.
At the 2019 NAMM Show, the captivating qualities of Hokema Kalimbas, especially the Sansula, were brought into the spotlight through an insightful interview with musician Brandon Blake by VisionQuest Sound. Emphasizing the instrument's simplicity and versatility,.
For those eager to dive deeper into Hokema's range of Kalimbas, from the compact models to the deluxe versions, a series of product line videos are available, providing a comprehensive overview of these beautifully crafted instruments.
And for those who love the Sansula but are looking for tuning options that better match their musical setup, there's no need to fret. Hokema offers a tuning tool designed for adjusting the tines to virtually any pitch. This adaptability opens up a world of possibilities, as evidenced by an eclectic collection of videos showcasing various creative retunings of the Sansula, proving its flexibility to fit any musician's needs.
the craftsmanship, (and craftswomanship) is incredible, and her sound. so resonant and otherworldly. I'm so happy with my new Monolina in G. I can't wait to play her for my community. Thank you Gabriele for your outstanding customer service.
A few years ago I became casually interested in the Kalimba because of its simplicity of design and playability. Without experience or a good point of reference I needed to taste a lot of flavors to sort out the choices. For a while, my discards kept the local Goodwill store supplied with inventory.
The feeding frenzy stopped when I discovered Hokema. Build and material quality is professional grade. The tines are not stiff, so you can play at any intensity without stressing a thumb nails. Resonance from the solid wood base and the resulting sustain are simply stunning. Even the high notes sing, unlike the flat 'tapping an aluminum pan' sound from my discards.
I first purchased the B-17, and later the smaller B-17 Mini. Comments above apply to both. There is no problem holding, playing, or carrying around either instrument. The Mini's smaller footprint might be more comfortable for small hands. I just like the smaller package. Because the B-17's wood block is wider, it has more space between the tines. Both instruments appear to use the same tine assembly materials, but the Mini has a shorter cross bar. The Mini's tine spacing is grouped, but they can be adjusted to make the spacing more uniform like the B-17. In that mode, even with the smaller block the tine spacing is noticeably wider than some other Kalimbas I've tried. My thumbs are average width for a 5'8" person and my nails are normally rounded (not pointed), and I have no trouble playing individual notes.
Tablature is available around the net for 17-key Kalimbas (RiffSpot has a nice ebook), so you can play tunes without reading music on both the B-17 and B-17 Mini.
