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We're honored to collaborate with the music composers  Matt Levine, who recently incorporated the Hokema Kalimba Sansula Deluxe into his vast collection. Matt has shared a tutorial video on his approach to the Sansula, demonstrating its immediate musicality and likening the playing of its two rows of metal tines to the rhythmic "inhale and exhale" of breathing. His demonstration includes a tango rhythm on the Sansula, tuned to A minor, showcasing how its limited 9 notes form a musical structure that allows for endless melodic and rhythmic exploration.

Matt Levine, based in San Francisco, balances his time between teaching at the San Francisco Conservatory of Music and creating sound immersion applications. His diverse work spans composing for video games, films, TV, and more, showcasing his versatility across genres and his innovative technical skills. Founder of Uncle Vector’s Audio Lab LLC and with a history of significant roles in the music industry, including Beatnik Inc. and Sony Computer Entertainment America (SCEA), Matt's recent venture is Tone Pool, a sound immersion app for iOS and Android.

Dive into Matt's video to explore the Sansula's potential yourself and share your experience with us!

Discover the enchanting world of Hokema Kalimbas, meticulously crafted in a solar-powered, family-operated factory in Germany, and now available in the American market through WE PLAY WELL TOGETHER. This introduction into the interconnected community of kalimba enthusiasts underscores the instruments' accessibility and appeal to music makers of all levels.

The Kalimba, with origins in sub-Saharan Africa, offers a warm, soft sound that encourages relaxation and integrates well with other instruments. The Sansula, a unique development by Hokema, amplifies the kalimba's vibrations through a drum head, producing a prolonged, overtone-rich sound. For the more technologically inclined, the "Elektro" Kalimba features a built-in pickup for easy amplification, ideal for live performances and digital streaming.

Founded by Peter Hokema, who was captivated by traditional African plucked instruments, Hokema has evolved under the leadership of his son Hugo, maintaining its commitment to quality and sustainability. Their instruments are crafted from American cherry wood, avoiding tropical woods, and the factory runs on renewable energy.

Hokema's dedication to craftsmanship and innovation has made its kalimbas beloved by a diverse array of users, from professional musicians to wellness practitioners. As the exclusive North American distributor, WE PLAY WELL TOGETHER, led by Gabriele Schwibach, supports this tradition, offering a platform for these beautiful instruments to resonate within a global community.

The We Play Well Together collective, featuring instruments like monochords, tongue drums, handpans, kalimbas, and hanging chimes, has found a significant place in music therapy across various settings and conditions. Music Therapist Katie Down has outlined the instruments' clinical uses, which range from hospice care bedside support to assisting individuals with special needs, and from facilitating early childhood development to enhancing therapeutic group work. These instruments are instrumental in techniques such as clinical improvisation, songwriting, and self-soothing methods, supporting vocal exploration, breath work, and more.

A special highlight video has been crafted to offer music therapists a glimpse into the potential applications of these instruments, showcasing creations by Hokema Kalimbas, feeltone, and Metal Sounds. Notably, feeltone instruments can be treated for disinfection, aligning with current health protocols, ensuring they remain a safe choice for therapeutic environments.

Further resources for music therapists interested in integrating these instruments into their practice are available, including profiles and methods by professionals like Christine Stevens and Joanne Loewy from the Louis Armstrong Center for Music and Medicine. These resources demonstrate the broad spectrum of therapeutic possibilities these instruments can offer.

For an opportunity to explore these instruments and their uses in music therapy further, We Play Well Together will be present at the American Music Therapy Association 2021 Conference from October 14th to 17th, inviting professionals to connect and learn more about these transformative tools.

Peter Hokema, the founder of Hokema Kalimbas, created an enchanting tutorial amidst a snowy German landscape, showcasing the use of chord magnets on the B17 Kalimba. This video, translated and adapted for an English-speaking audience, provides insightful tips on using these magnets to mark chords, enhancing ease of play and chord visualization on the instrument, even in the midst of summer's heat.

The B17 Kalimba, a masterpiece of craftsmanship from Hokema, is made from solid American black cherry wood, polished with natural oils and waxes for a smooth finish. Designed for improvisation and intuitive playing, the B17 is equipped with precisely tuned tines in C-major, making it a versatile instrument for both beginners and seasoned musicians. The addition of colorful magnets aids players in identifying chords quickly, allowing for a seamless musical experience.

Whether you're looking to improvise, play well-known tunes, or explore new scales with the tuning tool, the B17 offers a gateway to a world of musical possibilities, underscored by the serene backdrop of a winter's day.

Brandon Blake, a musician, educator, and animal rights activist, showcased a unique musical showcase on Facebook Live during the NAMM 2021 "Believe in Music" week. He demonstrated his versatility with a variety of instruments from the We Play Well Together collection, including Hokema Kalimbas, Metal Sounds Tongue Drums, feeltone Monochords, and Tinka Tongs, alongside his electric bass and live looping techniques. Brandon's approach is innovative, especially his technique with the Hokema Kalimba Sansula, where he simultaneously taps the drumhead and manipulates the metal tines with precision, even retuning on the fly with tiny magnets for instantaneous scale changes.

His live looping sessions create immersive soundscapes that merge the dulcet tones of kalimba, the rhythmic beats of tongue-drums, and the ethereal drone of monochords with deep bass grooves, crafting richly textured musical experiences that resonate on multiple levels. Beyond his musical talents, Brandon's energetic positivity and playful spirit serve as a reminder of the joy and spontaneity of embracing life's "bonus time"—the precious moments we're afforded to live with purpose and passion.

Brandon extends his musical explorations through weekly Facebook Live sessions and by hosting "The Kalimba Campfire" on Clubhouse, inviting all to join and share in the communal joy of music-making. For those interested in connecting with Brandon's work or joining his musical gatherings on Clubhouse, more information is available at his website, www.bonustimemusic.com, showcasing his innovative music and inviting others to explore their own creative expressions within the vibrant community he fosters.

Brandon Blake, a multifaceted individual juggling roles as a preschool teacher, brain injury support group leader, musician, animal rights activist, and volunteer, shares his daily life and his profound connection with the Kalimba Sansula in an interview with Annalena Horl for Hokema, Germany. His routine begins with caring for his cats, followed by preparing breakfast and spending eight hours at school focusing on the social and emotional development of young children. Post-work, he finds solace and creativity in playing the Sansula or bass, highlighting his commitment to self-care and artistic expression.

Brandon’s job satisfaction stems from nurturing positive behaviors like kindness, empathy, and respect among preschool children, aiming to cultivate a future generation free of xenophobia, racism, and aggression. He was drawn to the Sansula as a means to disconnect from the digital world and engage in a more tactile, musical form of expression. Since discovering the Sansula in 2015, it has become an integral part of his life, offering him solace, therapeutic benefits, and a medium for musical creativity.

He utilizes the Sansula across various aspects of his life, from calming preschool children and entertaining nursing home residents to providing healing in brain injury communities. Brandon praises the Sansula for its ease of use, therapeutic potential, and adaptability, including his innovative use of magnets to alter its notes for performance flexibility. He regards the Sansula as a serious musical instrument, validated by his performances with renowned musicians like Victor Wooten, where his unique playing techniques were celebrated.

Brandon’s favorite Hokema instrument is the Sansula Renaissance for its durability and sound quality, making it suitable for both young children and therapeutic applications. His journey with the Sansula began after a life-altering accident that left him with severe injuries and a traumatic brain injury, from which he has been recovering with resilience and positivity. Now leading a group for young patients with brain injuries, Brandon views every moment as "bonus time," a second chance at life enriched by his experiences, relationships, and music.

Christine Stevens, renowned music therapist, author, and speaker, shares her journey from believing she had no rhythm to embracing drumming as a transformative medium. Introduced to drum circles, Stevens found her calling, blending magic, fun, and healing through rhythmic expression. She encountered the Hokema Sansula at a music therapy conference, immediately recognizing its calming and mystical qualities. Stevens utilizes the Sansula in diverse healing drum groups, ranging from seniors to cancer patients, highlighting its serene impact.

Holding master's degrees in social work and music therapy, Stevens has facilitated drum circles globally, appearing on major TV networks and contributing to significant projects and publications. She emphasizes the drum's healing power, extending her expertise to include the flute as a medium for peace and personal transformation in her latest course on the Shift Network. Through her work, Stevens demonstrates the profound effect of rhythmic and musical expression on healing and mindfulness.