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How I De-Stress with Monochord

How I De-Stress with Monochord

A Self-Practice for Difficult Times

 By: Feeltone Trainer Joule L'Adara

 

Like so many of us, I began January saying "2020 is going to be my year!" I was hitting the gym 5 days a week, doing my meditation/visualization/sounding practices, and making a commitment to my personal growth as an artist. I was showing up for friends, attending social events, making travel plans, and having positive thoughts about the near future. In early February I went to Miami to swim in the ocean for my birthday, then later that month was on top of a Mountain in Colorado skilling with my brother, feeling literally on top of the world. Then March came, and with it the news of community spread of the Coronavirus in my Upper Manhattan neighborhood. Because I've suffered from lung inflammation issues in the past, I was taking no chances. I went inside my apartment on March 6th and from then to the time of this writing over two months later, I have not been outside except to take my garbage to the side of my building a couple days a week (plus squeeze out the window onto my fire escape to get a little sun on my face now and then!) Though I could go out into the vast park nearby, I've yet to feel that it's safe to do so, knowing that many in my neighborhood are not complying with the directive to wear face masks, and there are a lot of families with small children in my area who will be playing and running about freely as children do. Some friends are aghast when they hear about me spending so many days in isolation. But while I do greatly look forward to the moment I can be in nature, travel to see my family, and resume a life of full healthy social engagement, I must say this time period has brought a different sort of set of gifts. 

For one thing, I came to realize that though many aspects of my life are now diminished, many of my senses have been greatly enhanced. The ritual of eating has taken on new delights, as the preparing and enjoying of a sumptuous meal can feel as important these days as a great life event! My listening is deeper: I'm hearing the nuances between the various bird sounds floating to me from the tree outside my window. I'm much more in touch with my body and what it needs to feel well each day. And my inner life has become exponentially expanded: I'm full of creative ideas, go on visionary journeys inside my imagination, and am dreaming wildly at night!

Also, my daily PRACTICES have become an absolute priority. No longer simple commitments that I know will make me feel better - they have become my life preservers: what I MUST do when I feel like I'm about to go out of my mind. In the worst days in NYC back in April, when the city I live in was being shown on the nightly news as the "Global Epicenter" of the Pandemic, the experience was disorienting and incredibly noisy. Even while quarantined in a quiet apartment, I could hear the non-stop wailing of the sirens bringing the ill to hospitals, read the frightening news headlines about the healthcare workers under siege, hear the strain and pain in the voices of friends and family on the phone, and most vividly FEEL the energy of the city as it swirled in a kind of collective howl. There were times of collective grieving - such as the day it was announced a beloved former coworker had passed away due to Covid-19, and moments of joy through tears such as the first time I heard the communal banging on pots & pans, honking of horns together with cries and cheers for the 7pm "Clap": a city-wide sound ritual to thank the health and essential workers. I have since stood in my window to participate every night in this for the past 65 days without fail. 

But all the noise was getting to my nervous system. I could feel the fear, grief, anger, guilt, shame, and sense of powerlessness coming from myself and amplified by others. The only way for me to get through the toughest days was through my practices incorporating: movement, sound, and voice. Yoga helped a lot, as did the purchasing of a mini trampoline so that I could bounce up and down without disturbing the downstairs neighbors too much. But as for meditation... well, though there were so many who quickly rushed to offer a huge variety of mindfulness sessions online through Instagram, Facebook, Zoom, and Youtube... I found a lot of these well-intentioned practices couldn't provide me with what I truly needed, and I understood why. Yes, the body's immune response is greatly repressed when the body is experiencing stress hormones. But the "flight-or-flight" response of the sympathetic nervous system is there so that we may be alerted and energized in times of danger. In contemporary life, often this heightened response is activated unnecessarily and repeatedly, to the point that we're kept in an endless loop of stress, even as deadlines and irritations of the modern workplace or home are NOT life-and-death situations. But with a global pandemic, there actually IS danger that our body is trying to warn us about! It's saying: ALERT! Be vigilant! Do what you need to do to stay safe and survive!  

I believe when we get messages from the body of REAL danger, we need to not just go into meditation to try to quiet them down, we need to ask the body what it's trying to tell us. Does my body need me to stock up on food & have emergency supplies to feel safe? Are there contingency plans to put in place that I'd never paid attention to before? Are there people in my community who may be suffering right now who I can help? Am I dealing with my own guilt and shame of being able to stay inside while essential workers risk their lives for me? Or am I taking care of everyone else before myself to the point I'm completely being drained to exhaustion? Listening to and taking action on these impulses is necessary for the body to feel comforted instead of merely covering up the alarm by trying to "love and light" the problems away. So much of how we have all lived our lives up to this point is unsustainable. We knew it, but ignored what we knew as we went about our days pursuing pleasure, achievements, or sometimes just survival. Really taking this time to delve into our own deeper truths is so important right now, even if the messages and realizations are painful. 

As for meditation itself, I knew I needed to calm my nervous system, but so many of those meditation offerings were not "meeting me where I was at." Meaning: they were asking me to take too great a leap from where I was to where I needed to be, and my body/mind/sprit couldn't make that jump. There's an important concept in Music Therapy known as the "Iso Principle." When a trained therapist works with a client using this method, they endeavor to first match the speed, cadence, and rhythm of the client they're working with as they are, to then slowly and almost imperceptibly move them to a different way of being over time. This allows the receiver to feel met, seen, and understood with whatever they are dealing with psychologically, and be facilitated through an organic transformational process. For example, a person might come in speaking very fast and gesturing wildly after a long stressful day at work. The music or sound therapist would use instruments to match that intensity and speed, and over a period of minutes adjust their playing so that the rhythms of the client's breath, heart, and brain would slowly entrain to a more relaxed state. This principal can also be applied to our approach to working with ourselves through self care. 

During the worst days of the Coronavirus outbreak when around 1000 people per day were perishing of Covid-19 in the small geographic area around me in NYC, I needed a practice I could use that would meet me in the heightened state of that moment. I needed to shake, wail, moan, make crazy sounds, run around my apartment, roll on the ground, cry, howl. Only if I did that for a good 5 minutes at full intensitiy until I utterly exhausted myself, could I then start to make more soothing sounds to comfort my nervous system. Another five more minutes of sounding, I could finally handle sitting in a mediation in stillness. I'd expressed what I'd been collecting inside me since the last time I practiced. I'd emptied out. And now there was open space within to be with the stillness. 

Later, I realized I could bring the monochord into this practice. In the Level 1 "Secrets of the Monochord" Training - we teach a meditational way of playing called the "Flying Carpet" technique. This playing method is likened to the steadiness of the shamanic drum played to create a very safe container that doesn't change or modulate, but that simultaneously dissolves boundaries through the ocean-like cascades of harmonics. It's gorgeous, hypnotic, and therapeutic. But during these "Covid Times" it's often not a place where I can start my playing from. In my daily self-care monochord practice, I first need to express my pent-up stuff on the instrument. I play it robustly! (She can handle it!) I make grand sweeping gestures up and down the strings, I bang across the surface with the palms of my hands, I use my thumbs, claw at the instrument with my fingernails, and make all kinds of crazy sounds with my voice and breath. It's super cathartic! It draws the excess energy I have from all the angst, fear, anger, trauma, and the unnamable emotions... transforming it into something epic, explosive, and even at moments: surprisingly joyful. 

After some minutes of this, I start to feel an opening in my mind and body. Something feels satisfied within me. I begin to be able to slow my pace, even out my strokes across the strings. I drop into steady, rhythmic playing, and my breath and heartbeat fall into a relaxed rhythm in sync. With more minutes of simplified playing, I'm able to find calm within myself as the harmonics of the instrument soothe my nervous system. I hum along and feel my own harmonics within. I'm finally able to reach a sense of relief and neutrality. I play evenly, meditatively. I'm peaceful in my playing and the playing in turn brings me peace.

After the last stroke of my hand releases, I listen to the sound of the reverberation tail with the harmonics ringing out, still twinkling in the air. Once the sound fades to silence, I am finally silent within. I sit still in meditation. I've been able to find my center. I'm able to be with myself and the ALL of what is happening right now. I am not hiding from the horror. I have faced and reckoned with it through my playing. It's because I have acknowledged the alarm that I'm finally able to release into this place of being with all that IS. 

 

A Short Monochord Practice for Stress Release: 15 Minutes

1) The First 5 Minutes: Play your monochord wildly, passionately, and allow all your feelings to be expressed: horror, grief, anger, fear, anxiety, celebration, anything that comes though you. Play using all five fingers in either direction, bang on the strings like a drum, release with your breath and voice, make some NOISE and allow ALL of what you're feeling to be emptied out and expressed.

2) The next 5 minutes: slowly transition into the "flying carpet" method: playing in a steady repetitious rhythm down the monochord face with one finger, as one hand comes down first, with the next hand beginning before the previous hand ends so that the sound is infinite. Relax into your breath and allow your playing speed to match your inner rhythms as your heart rate and respiration come into a place of calm. 

3) Final 5 minutes: Release your last strum and listen to the sound reverberation decay. Sit in silent mediation allowing the feeling of the sound continuing to reverberate inside you. 

Practice this daily for best results during times of difficulty. 

-----

Since 2009, Sound Therapy Practitioner and Experimental Vocalist Joule L'Adara, MFA, has been leading trainings, retreats, and online courses reconnecting people to the power of sound through their voice. Joule has been a certified feeltone Trainer since 2015 and teaches the Secrets of the Monochord Training in NYC and personalized training sessions online for We Play Well Together customers.

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Beautiful Instrument

My G Monolina is perfect! Beautiful to play in a group, as well as on the body.

Wonderful!

Absolutely in love, but should have ordered the bag! Ordering it now as it is was too fragile to travel with without the bag.

The Monolini took my SounHeailng sessions to another level of sensations.

The instrument brigs such an amazing quality and super easy to play

D Monolina

I recently purchased a D Monolina. Meditative and meditative; a full immersion sound experience that simply wraps you in a beautiful feeling and sound. What an incredible instrument this is! I highly recommend purchasing one, or more, for meditation, relaxation, or sound baths.

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This set elevates one’s instruments to the next level. Having all these components really sets one up for success and allows room for growth to grow into your sound practice.
The versatility that comes with having the leg extensions allows the player to be comfortable in a variety of ways while playing. The mallets add additional ways to play.
Tuning is a breeze with the template. When not being played or on the go with this monolina, the mats keep everything safe and the backpack makes it so you can take it to the studio or out into nature to play.
I can’t say enough great things about it, it’s a must have in the sound tool kit for sure.

Sansula Basic("basic" feels like it's selling it short!)

The floor model sale price feels too good to be true for such a fabulous instrument. So easy to create varied, beautiful sounds. This is the 3rd instrument I've purchased from WPWT and they're always efficient, friendly and helpful.

Sweet Sound

My first experience with a Hokema Kalimba was at the gift shop of the Music Instrument Museum in Phoenix, AZ. I was blown away by the big, beautiful sound of those instruments, but I wasn’t ready to plunk down $200 for it.

Fast forward, I read about the Twin Kalimba and was encouraged by a review that suggested it was great for events. This particular person, evidently a musician like me, gave out ten of these during his shows and was thrilled by how the audience members enjoyed the experience.

So, given these two experiences, I had high hopes for the twin.

It is a sweet sounding instrument, but the sound is very quiet. The wood is solid so it doesn’t resonate like its higher priced solo cousins (that feature a resonator) or traditional kalimbas that have found holes.

So, I’m a little underwhelmed by the sound, but it’s still a great concept. Perhaps it will be fine and dandy when I share it with audiences. Let’s see!

'Secrets' of the Monochord Training

Joule is an excellent teacher! Her lessons flow from topic to exercises with so much ease and class time is so enjoyable. Joule makes sure everyone's questions are answered before going to the next lesson. Before this training, I had no idea of all the many different ways to play the monochord. After this course, I now have so much more knowledge and I'm able to tap into my creativity with a deeper love and appreciation with this beautiful instrument.

A beautiful addition to my musical instrument library

I love the "water" collection and this chime is one of my favourite instruments (so far!). The D minor tuning is said to be the "saddest" key, but I find it soothing, ethereal, and utterly charming. The gentle tones of this chime bring gentle, meditative tones. Do yourself a favour if you can and get the matching Koshi chime. They sound absolutely amazing together!

Hokema Sansula Deluxe

Thank you for sending me the Hokema Sansula Deluxe. I am enjoying the unique sound as I relate it to similarly designed instruments in parts of Africa. It creates a beautiful sound world with which you can improvise and expand infinitely. I will be using the small ones for my gatherings. It's a beautiful instrument and as I explore and improvise with it, I'm sure I will find something new that I will want to share with you. - Kevin Nathaniel

Wonderful, perfect to play on top and bring my sansula basic everywhere!

Beautiful sound

It’s my first Kalimba and I absolutely love how it sounds, such a magical instrument

D
Tuning Tool
Dimitri M.

Never got the delivery

Hi Dimitri ,
It looks like the tracking information indicates your package was delivered to your mailbox. Could you check to see if perhaps a neighbor might have picked it up by mistake?

If you still can't locate it, no worries at all—just let us know, and please provide a secure shipping address where we can resend your item.

Looking forward to resolving this for you!

Warm regards,

Gabriele

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This is a very beautiful chime that I can play with my Aqua Zenko Element (432Hz), Aqua Tinka Tong (432Hz), & my Aqua Hokema B5 Kalimba (432Hz) with a little help from my friends. Of course, I can mix & match the chimes with other elemental instruments & be amazed by the way that the sounds blend perfectly.

Terra Koshi Chime (432Hz)

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Ignis Koshi Chime (432Hz)

This is a lovely chime that I play with either my Hokema Terra B5 Kalimba or my Ignis Tinka Tong. The great thing about these chimes is that they sound great mixing & matching them with other instruments from WPWT.
I play these chimes for self care before bed for a more restful sleep.

Hokema B5 Kalimba Elemental Soundscape Tuning-Terra/ Aqua

This Kalimba is pleasing to the eye because of the cut & quality of the cherry wood. The size is perfect for small hands such as mine. I particularly love the Terra Tuning & fell instantly in love with this Kalimba that reminds me of a music box when played.
I also received the Aqua B5 Hokema Kalimba which is equally as beautiful as the Terra.
The Aqua Kalimba completes my Aqua Elemental Soundscape bundle. I cannot say how much I have loved jamming with my set.
This B5 Kalimba may be small, but its sound output is excellent & the tone is perfect. The B5 Kalimba can also be paired with the matching Koshi Chime & easily played. I think that I prefer the size of the B5 Kalimba & would highly recommend it for sound & ease of play.
Thanks & best wishes to the WPWT team.

Aqua, Aria, Ignis, & Terra Koshi Chimes

All that I can say is that I love my Koshi Chimes. Each Elemental Chime is unique & complete in its own light tinkling playful sound & becomes even more beautiful in the complexity of two chimes paired together. I particularly enjoy the calming quality of Aqua & Aria. I also like the joyfulness & energy of Ignis & Terra as they are played together. I bought the Koshi Chimes because they were highly recommended for their durability & because they never go out of tune. I also like the earthiness of the color of bamboo. One day I might like to pair Koshi Chimes with a pop of color from matching Zaphir Chimes.
Now let me throw in the beauty of the B5 Hokema Kalimbas - Terra & Aqua as they are paired with their companion Koshi Chimes. I have small hands & can easily hold & play the B5 Kalimba as I am holding the chime of the same tone in the other hand. This is indeed as lovely as the Elemental Soundscape video.
I like to play the Koshi Chimes before I go to bed as it helps to empty my mind, offer relaxation & sounder sleep.
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Divine

The packages arrived in a timely manner and packaged with care. The instrument had the richest tone and a divine frequency, I look forward to using this for sound journeys.

Hokema B9 Kalimba Aria

I was pleased with customer service & by the work ethic that this company has. This is my first kalimba that I have ever owned. It is easy to make pretty little melodies & pairs well with the chime of the same key, but admittedly the kalimba sounds louder & sweeter when held & played so it works better when these instruments are played by 2 people. Overall I was pleased with my purchase.

Aria Air A Minor Koshi Chime

Customer service was yet again excellent. My question was answered promptly by email. Items were mailed promptly & in excellent condition upon arrival. I purchased my Aria Chime & was thrilled by its beauty & by how easy it was to learn to play. All I need to do is slightly move my arm to emit the best sound. Please do not sling your chimes from side to side as it will sound chaotic. There are instructional videos on Youtube that will teach you how to play your chimes correctly. I did purchase a companion Hokema Kalimba in the same key to play with the Koshi chime. The chimes & kalimba do sound beautiful when played together by 2 people. I personally feel that it would be better for me to play 2 Koshi chimes together as it is easier as my coordination is just so so so. I will be adding more Koshi chimes to my growing collection of musical instruments from WPWT. As always I am pleased with my purchase.

Perfect

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Easy to set up and very sturdy

Tinka Tong (432 hz) 4 Tunings

The wait is over!!! I am now the proud owner of the Aqua (Blue), Aria (Gold), Terra (Green), & Ignis (Red) Tinka Tongs. I purchased the Aqua first just to test the water, & immediately fell in love with the instrument. I purchased the other 3 Tinka Tongs just as soon as they became available. It adds so much more to the experience to play multiple instruments at once. I line the Tinka Tongs vertically & mainly play 2 at a time. It is fun just to hit random notes & to be amazed at the unique sounds to be made. Every note played is indeed beautiful & harmonious.
The majors & minors do pair well together. The Aqua (D Minor) & the Terra (C Major) pair well together.
The Ignis (G Major) & Aria (A Minor) pair well together.
You are not limited to playing minors & majors together. Both the Terra (C Major) & Ignis (G Major) sound well together- so light & happy.
The instruments are well made & sound amazing.
This is a great company to do business with. Emails are promptly responded to. Orders are mailed via UPS within days. The instruments are exceptionally well packaged & arrive in perfect condition.
I look forward to adding the chimes to my collection in the future- Terra & the Ignis in a few months.
Thanks to the hard working team at WPWT.