We Play Well Together's Creative & Community Director Joule L'Adara traveled to Germany to work directly with our instrument builder the feeltone, helping to create a series of videos for our Elemental Soundscapes instrument collections. Here is our latest video...
Since 2021 we've hosted an interactive virtual playshop called KALIMBA CAMPFIRE now taking place live simultaneously on the Clubhouse Social Audio App and Zoom where guests can be seen with their camera on, but participants have the luxury of participating with...
We launched our KALIMBA CAMPFIRE back in 2021 on the Social Audio App "Clubhouse" - which allows people to connect through voice alone. We found it the perfect platform to create a sense of comfort to gather our community as...
World-renowned jazz violinist Gwen Laster adds a captivating touch to her live performances by incorporating the Sansula, an intuitive instrument from Hokema Kalimbas, sold by We Play Well Together.
In a highlight video from her performance at the Beacon Bonfire Arts Festival, Gwen and her ensemble create mesmerizing interludes using the Sansula, adding a sense of space and expanded time to their set.
The Sansula, a variation of the kalimba, is easy to play and introduces extra creativity to any musical act.
Gwen's innovative use of this instrument, along with her poignant violin playing, showcases why she has performed with some of the world's most influential artists. Explore the various Sansulas and their accessories to enhance your own musical repertoire.
We Play Well Together with Sansulas tuned to to work in harmony with all our feeltone Monochords, and they can be played together in surprising ways... Sound Artist and We Play Well Together's Creative and Community Director Joule L'Adara recently made a cool new...
This past summer, We Play Well Together's Creative Community Director Joule L'Adara traveled to Germany to work directly with our instrument builder the feeltone Company, helping to create a series of videos for our new Elemental Soundscapes instrument collections.
We're honored to collaborate with the music composers Matt Levine, who recently incorporated the Hokema Kalimba Sansula Deluxe into his vast collection. Matt has shared a tutorial video on his approach to the Sansula, demonstrating its immediate musicality and likening the playing of its two rows of metal tines to the rhythmic "inhale and exhale" of breathing. His demonstration includes a tango rhythm on the Sansula, tuned to A minor, showcasing how its limited 9 notes form a musical structure that allows for endless melodic and rhythmic exploration.
Matt Levine, based in San Francisco, balances his time between teaching at the San Francisco Conservatory of Music and creating sound immersion applications. His diverse work spans composing for video games, films, TV, and more, showcasing his versatility across genres and his innovative technical skills. Founder of Uncle Vector’s Audio Lab LLC and with a history of significant roles in the music industry, including Beatnik Inc. and Sony Computer Entertainment America (SCEA), Matt's recent venture is Tone Pool, a sound immersion app for iOS and Android.
Dive into Matt's video to explore the Sansula's potential yourself and share your experience with us!
Discover the enchanting world of Hokema Kalimbas, meticulously crafted in a solar-powered, family-operated factory in Germany, and now available in the American market through WE PLAY WELL TOGETHER. This introduction into the interconnected community of kalimba enthusiasts underscores the instruments' accessibility and appeal to music makers of all levels.
The Kalimba, with origins in sub-Saharan Africa, offers a warm, soft sound that encourages relaxation and integrates well with other instruments. The Sansula, a unique development by Hokema, amplifies the kalimba's vibrations through a drum head, producing a prolonged, overtone-rich sound. For the more technologically inclined, the "Elektro" Kalimba features a built-in pickup for easy amplification, ideal for live performances and digital streaming.
Founded by Peter Hokema, who was captivated by traditional African plucked instruments, Hokema has evolved under the leadership of his son Hugo, maintaining its commitment to quality and sustainability. Their instruments are crafted from American cherry wood, avoiding tropical woods, and the factory runs on renewable energy.
Hokema's dedication to craftsmanship and innovation has made its kalimbas beloved by a diverse array of users, from professional musicians to wellness practitioners. As the exclusive North American distributor, WE PLAY WELL TOGETHER, led by Gabriele Schwibach, supports this tradition, offering a platform for these beautiful instruments to resonate within a global community.
Brandon Blake, a multifaceted individual juggling roles as a preschool teacher, brain injury support group leader, musician, animal rights activist, and volunteer, shares his daily life and his profound connection with the Kalimba Sansula in an interview with Annalena Horl for Hokema, Germany. His routine begins with caring for his cats, followed by preparing breakfast and spending eight hours at school focusing on the social and emotional development of young children. Post-work, he finds solace and creativity in playing the Sansula or bass, highlighting his commitment to self-care and artistic expression.
Brandon’s job satisfaction stems from nurturing positive behaviors like kindness, empathy, and respect among preschool children, aiming to cultivate a future generation free of xenophobia, racism, and aggression. He was drawn to the Sansula as a means to disconnect from the digital world and engage in a more tactile, musical form of expression. Since discovering the Sansula in 2015, it has become an integral part of his life, offering him solace, therapeutic benefits, and a medium for musical creativity.
He utilizes the Sansula across various aspects of his life, from calming preschool children and entertaining nursing home residents to providing healing in brain injury communities. Brandon praises the Sansula for its ease of use, therapeutic potential, and adaptability, including his innovative use of magnets to alter its notes for performance flexibility. He regards the Sansula as a serious musical instrument, validated by his performances with renowned musicians like Victor Wooten, where his unique playing techniques were celebrated.
Brandon’s favorite Hokema instrument is the Sansula Renaissance for its durability and sound quality, making it suitable for both young children and therapeutic applications. His journey with the Sansula began after a life-altering accident that left him with severe injuries and a traumatic brain injury, from which he has been recovering with resilience and positivity. Now leading a group for young patients with brain injuries, Brandon views every moment as "bonus time," a second chance at life enriched by his experiences, relationships, and music.
the craftsmanship, (and craftswomanship) is incredible, and her sound. so resonant and otherworldly. I'm so happy with my new Monolina in G. I can't wait to play her for my community. Thank you Gabriele for your outstanding customer service.
A few years ago I became casually interested in the Kalimba because of its simplicity of design and playability. Without experience or a good point of reference I needed to taste a lot of flavors to sort out the choices. For a while, my discards kept the local Goodwill store supplied with inventory.
The feeding frenzy stopped when I discovered Hokema. Build and material quality is professional grade. The tines are not stiff, so you can play at any intensity without stressing a thumb nails. Resonance from the solid wood base and the resulting sustain are simply stunning. Even the high notes sing, unlike the flat 'tapping an aluminum pan' sound from my discards.
I first purchased the B-17, and later the smaller B-17 Mini. Comments above apply to both. There is no problem holding, playing, or carrying around either instrument. The Mini's smaller footprint might be more comfortable for small hands. I just like the smaller package. Because the B-17's wood block is wider, it has more space between the tines. Both instruments appear to use the same tine assembly materials, but the Mini has a shorter cross bar. The Mini's tine spacing is grouped, but they can be adjusted to make the spacing more uniform like the B-17. In that mode, even with the smaller block the tine spacing is noticeably wider than some other Kalimbas I've tried. My thumbs are average width for a 5'8" person and my nails are normally rounded (not pointed), and I have no trouble playing individual notes.
Tablature is available around the net for 17-key Kalimbas (RiffSpot has a nice ebook), so you can play tunes without reading music on both the B-17 and B-17 Mini.