World-renowned jazz violinist Gwen Laster adds a captivating touch to her live performances by incorporating the Sansula, an intuitive instrument from Hokema Kalimbas, sold by We Play Well Together.
In a highlight video from her performance at the Beacon Bonfire Arts Festival, Gwen and her ensemble create mesmerizing interludes using the Sansula, adding a sense of space and expanded time to their set.
The Sansula, a variation of the kalimba, is easy to play and introduces extra creativity to any musical act.
Gwen's innovative use of this instrument, along with her poignant violin playing, showcases why she has performed with some of the world's most influential artists. Explore the various Sansulas and their accessories to enhance your own musical repertoire.
We Play Well Together with Sansulas tuned to to work in harmony with all our feeltone Monochords, and they can be played together in surprising ways... Sound Artist and We Play Well Together's Creative and Community Director Joule L'Adara recently made a cool new...
This past summer, We Play Well Together's Creative Community Director Joule L'Adara traveled to Germany to work directly with our instrument builder the feeltone Company, helping to create a series of videos for our new Elemental Soundscapes instrument collections.
We're honored to collaborate with the music composers Matt Levine, who recently incorporated the Hokema Kalimba Sansula Deluxe into his vast collection. Matt has shared a tutorial video on his approach to the Sansula, demonstrating its immediate musicality and likening the playing of its two rows of metal tines to the rhythmic "inhale and exhale" of breathing. His demonstration includes a tango rhythm on the Sansula, tuned to A minor, showcasing how its limited 9 notes form a musical structure that allows for endless melodic and rhythmic exploration.
Matt Levine, based in San Francisco, balances his time between teaching at the San Francisco Conservatory of Music and creating sound immersion applications. His diverse work spans composing for video games, films, TV, and more, showcasing his versatility across genres and his innovative technical skills. Founder of Uncle Vector’s Audio Lab LLC and with a history of significant roles in the music industry, including Beatnik Inc. and Sony Computer Entertainment America (SCEA), Matt's recent venture is Tone Pool, a sound immersion app for iOS and Android.
Dive into Matt's video to explore the Sansula's potential yourself and share your experience with us!
Discover the enchanting world of Hokema Kalimbas, meticulously crafted in a solar-powered, family-operated factory in Germany, and now available in the American market through WE PLAY WELL TOGETHER. This introduction into the interconnected community of kalimba enthusiasts underscores the instruments' accessibility and appeal to music makers of all levels.
The Kalimba, with origins in sub-Saharan Africa, offers a warm, soft sound that encourages relaxation and integrates well with other instruments. The Sansula, a unique development by Hokema, amplifies the kalimba's vibrations through a drum head, producing a prolonged, overtone-rich sound. For the more technologically inclined, the "Elektro" Kalimba features a built-in pickup for easy amplification, ideal for live performances and digital streaming.
Founded by Peter Hokema, who was captivated by traditional African plucked instruments, Hokema has evolved under the leadership of his son Hugo, maintaining its commitment to quality and sustainability. Their instruments are crafted from American cherry wood, avoiding tropical woods, and the factory runs on renewable energy.
Hokema's dedication to craftsmanship and innovation has made its kalimbas beloved by a diverse array of users, from professional musicians to wellness practitioners. As the exclusive North American distributor, WE PLAY WELL TOGETHER, led by Gabriele Schwibach, supports this tradition, offering a platform for these beautiful instruments to resonate within a global community.
Brandon Blake, a multifaceted individual juggling roles as a preschool teacher, brain injury support group leader, musician, animal rights activist, and volunteer, shares his daily life and his profound connection with the Kalimba Sansula in an interview with Annalena Horl for Hokema, Germany. His routine begins with caring for his cats, followed by preparing breakfast and spending eight hours at school focusing on the social and emotional development of young children. Post-work, he finds solace and creativity in playing the Sansula or bass, highlighting his commitment to self-care and artistic expression.
Brandon’s job satisfaction stems from nurturing positive behaviors like kindness, empathy, and respect among preschool children, aiming to cultivate a future generation free of xenophobia, racism, and aggression. He was drawn to the Sansula as a means to disconnect from the digital world and engage in a more tactile, musical form of expression. Since discovering the Sansula in 2015, it has become an integral part of his life, offering him solace, therapeutic benefits, and a medium for musical creativity.
He utilizes the Sansula across various aspects of his life, from calming preschool children and entertaining nursing home residents to providing healing in brain injury communities. Brandon praises the Sansula for its ease of use, therapeutic potential, and adaptability, including his innovative use of magnets to alter its notes for performance flexibility. He regards the Sansula as a serious musical instrument, validated by his performances with renowned musicians like Victor Wooten, where his unique playing techniques were celebrated.
Brandon’s favorite Hokema instrument is the Sansula Renaissance for its durability and sound quality, making it suitable for both young children and therapeutic applications. His journey with the Sansula began after a life-altering accident that left him with severe injuries and a traumatic brain injury, from which he has been recovering with resilience and positivity. Now leading a group for young patients with brain injuries, Brandon views every moment as "bonus time," a second chance at life enriched by his experiences, relationships, and music.
Christine Stevens, renowned music therapist, author, and speaker, shares her journey from believing she had no rhythm to embracing drumming as a transformative medium. Introduced to drum circles, Stevens found her calling, blending magic, fun, and healing through rhythmic expression. She encountered the Hokema Sansula at a music therapy conference, immediately recognizing its calming and mystical qualities. Stevens utilizes the Sansula in diverse healing drum groups, ranging from seniors to cancer patients, highlighting its serene impact.
Holding master's degrees in social work and music therapy, Stevens has facilitated drum circles globally, appearing on major TV networks and contributing to significant projects and publications. She emphasizes the drum's healing power, extending her expertise to include the flute as a medium for peace and personal transformation in her latest course on the Shift Network. Through her work, Stevens demonstrates the profound effect of rhythmic and musical expression on healing and mindfulness.
At the 2019 NAMM Show, the captivating qualities of Hokema Kalimbas, especially the Sansula, were brought into the spotlight through an insightful interview with musician Brandon Blake by VisionQuest Sound. Emphasizing the instrument's simplicity and versatility,.
For those eager to dive deeper into Hokema's range of Kalimbas, from the compact models to the deluxe versions, a series of product line videos are available, providing a comprehensive overview of these beautifully crafted instruments.
And for those who love the Sansula but are looking for tuning options that better match their musical setup, there's no need to fret. Hokema offers a tuning tool designed for adjusting the tines to virtually any pitch. This adaptability opens up a world of possibilities, as evidenced by an eclectic collection of videos showcasing various creative retunings of the Sansula, proving its flexibility to fit any musician's needs.
I purchased a Zaphir chime a few years ago and it pairs perfectly with my Zenko. I saw the Koshis on sale and decided to take a leap a buy several. Huge disappointment for me when I compare them to the Zahpir. The Koshi feels hollow and lifeless to me compared to the Zaphir. Because it's lightweight, it can be easier to travel with, but that's also its downside for me. The cord, outer shell all feel more like a 'toy' than a durable, lasting, resonance holder. I may try to add some type of weight to help ground these chimes, not sure, but if I'd know how different this feels compared to a Zaphir I wouldn't have made this purchase. I don't think it's a 'bad' product, I think it's just not aligning with what I've experienced in another brand.
I’m sorry to hear that you’re not entirely happy with the Koshi chimes and that you prefer the Zaphir chimes instead. I want to make sure you’re satisfied with your purchase.
If you’d like, I’d be happy to exchange the set of 3 Koshi chimes you bought for a set of 3 Zaphir chimes so you can complete your Zaphir collection. Please let me know if this works for you, and we can arrange the exchange right away.
I recently purchased a D Monolina. Meditative and meditative; a full immersion sound experience that simply wraps you in a beautiful feeling and sound. What an incredible instrument this is! I highly recommend purchasing one, or more, for meditation, relaxation, or sound baths.
