We Play Well Together's Creative & Community Director Joule L'Adara traveled to Germany to work directly with our instrument builder the feeltone, helping to create a series of videos for our Elemental Soundscapes instrument collections. Here is our latest video...
Since 2021 we've hosted an interactive virtual playshop called KALIMBA CAMPFIRE now taking place live simultaneously on the Clubhouse Social Audio App and Zoom where guests can be seen with their camera on, but participants have the luxury of participating with...
Marina Perdos was our special guest in March 2025 as part of our "Monochord Monday Meetup" series who joined us live from Ohio. Marina spent decades in nursing and has worked in emergency rooms, in hospice as well as being...
We hosted a very special Monochord Monday Meetup on April 29th with honored guests Christine Stevens and Aaron Gannon who gave the presentation: "Playing monochord for sound healing - new research findings" . This Webinar was offered in connection with the newly published research article...
We Play Well Together with Sansulas tuned to to work in harmony with all our feeltone Monochords, and they can be played together in surprising ways... Sound Artist and We Play Well Together's Creative and Community Director Joule L'Adara recently made a cool new...
On February 14th, World Sound Healing Day 2024 We Play Well Together hosted an online event, marking the 22nd annual gathering.
This event led by Joule L'Adara and Martina Gläser-Böhme and featuring feeltone founder Ingo Böhme, bridged English and German-speaking communities in a bid to connect through sound across distances and languages.
The event, shared a sweet moment by Ingo Böhme's surprise Valentine's Rose to Martina Gläser-Böhme, offered participants an interactive experience with the founders of feeltone instruments. Attendees were encouraged to engage with their instruments or voices, fostering a deep sense of community and shared healing intentions.
Last May, we were thrilled to participate in the inaugural US-based Women's Handpan Gathering, Super Bloom, nestled in New York's Catskill Mountains. Celebrating this unique assembly, we crafted a 9-minute highlight reel showcasing the joy and connections formed at this empowering event.
Super Bloom welcomes all who identify as women, offering a space for learning, rejuvenation, and music-making, with a special invitation for others to witness this unity through our video.
This year, we're excited to return, offering amazing prizes and an array of We Play Well Together instruments for participants to explore. Super Bloom stands as a testament to the strength and creativity of women united by music, set against a backdrop of nature, with a program designed for relaxation, exploration, and shared musical experiences.
In March, coinciding with the Spring Equinox, Susan Maule, a seasoned practitioner and friend of WE PLAY WELL TOGETHER, led the Monochord Monday Meetup.
She showcased the MonChair by feeltone, integrating it with instruments like the C# Hokema Sansula, Crystal Singing Bowls, and a Native American-style flute to create harmonious soundscapes. Susan demonstrated the MonChair's use in group settings, allowing participants to experience the enveloping sounds while seated in the chair, surrounded by others in a ceremonial rotation. She combined the MonChair's vibrations with the Zaphir "Sunray" Chime in C#, a C# tuned Sansula, and other selected instruments, offering a layered auditory experience.
This session exemplified the collaborative spirit of "We Play Well Together," highlighting the possibility of custom tunings for kalimbas and Sansulas to harmonize with existing instruments. Susan's broad expertise in the healing arts, alongside her unique approach to sound therapy, enriches the Monochord Monday Meetup community. Her contributions, along with over 60 other videos, are accessible in the group's video library for those who join the Monochord Monday Group on Zoom.
The tones of this chime are beautiful. I have it hanging where I can walk by and play it often.
The items arrived in a timely fashion. Thanks for a smooth transaction!
the craftsmanship, (and craftswomanship) is incredible, and her sound. so resonant and otherworldly. I'm so happy with my new Monolina in G. I can't wait to play her for my community. Thank you Gabriele for your outstanding customer service.
This has such a lovely sound! I can’t wait to start learning how to play!
A few years ago I became casually interested in the Kalimba because of its simplicity of design and playability. Without experience or a good point of reference I needed to taste a lot of flavors to sort out the choices. For a while, my discards kept the local Goodwill store supplied with inventory.
The feeding frenzy stopped when I discovered Hokema. Build and material quality is professional grade. The tines are not stiff, so you can play at any intensity without stressing a thumb nails. Resonance from the solid wood base and the resulting sustain are simply stunning. Even the high notes sing, unlike the flat 'tapping an aluminum pan' sound from my discards.
I first purchased the B-17, and later the smaller B-17 Mini. Comments above apply to both. There is no problem holding, playing, or carrying around either instrument. The Mini's smaller footprint might be more comfortable for small hands. I just like the smaller package. Because the B-17's wood block is wider, it has more space between the tines. Both instruments appear to use the same tine assembly materials, but the Mini has a shorter cross bar. The Mini's tine spacing is grouped, but they can be adjusted to make the spacing more uniform like the B-17. In that mode, even with the smaller block the tine spacing is noticeably wider than some other Kalimbas I've tried. My thumbs are average width for a 5'8" person and my nails are normally rounded (not pointed), and I have no trouble playing individual notes.
Tablature is available around the net for 17-key Kalimbas (RiffSpot has a nice ebook), so you can play tunes without reading music on both the B-17 and B-17 Mini.
